During my study of printmaking, I continually search for ways that I can implement both my style and technical knowledge to bridge the gap between new and old techniques of art making. One of my favorite discoveries recently, utilized an Epilog laser engraver to make relief prints. Below are the simple steps that I took in order to create a successful edition.

In an attempt to challenge myself for this project, I decided to start entirely from scratch in illustrator. No sketches, or hand drawn elements were used. The imagery was created entirely from pathed shapes with no visual reference. In terms of theme and subject, I was inspired by the film The Ritual. Within lies a interesting nordic and pagan imagery, and I wanted to explore that with my own style, in a manner that was flat and graphic. Blending the vector imagery with hand carved color was the manner in which i decided to explore that subject. This is the final vector that would be used for the key layer.

Step 2: Laser Engraving

Utilizing the laser engraver at the Maker’s Space available to me, I was able to transfer the image onto a 11 x 7 in wood block. This was achieved by converting all of the black in the image to solid objects, and adjusting the resolution and speed of the laser to engrave deep enough as to not pick up excess ink with the brayer that I would be using to spread the ink.

Step 3: Image Transfer

In order to give the image color without an extreme hassle, the image must be transferred to another block. This means that this print has two working blocks to be printed from. The laser engraved block is used as the key layer/ line imagery, and another for color. In order to transfer the image, the key block is inked and printed onto a sheet that is attached to an L block that is used for registration. The key block is replaced with another of the same size, while the paper remains in place. This ensures that the color will line up properly when printed onto the same sheet of paper, and provides a guide that can be used for hand engraving.

Slab used for printing relief

Engraved block inked for printing

Print ready for transfer

Transferred image on block

The color block is coated in red paint so that it is easier to distinguish where marks have been made. Upon completion, the two blocks are ready for printing.

Step 5: Printing

Using paper that was pre-cut during registration, the color layer is printed. Once that is completed, the first layer is left overnight to dry. The next day, the key layer is printed over the color layer, and left once more to dry. The paper is then cut down to even sheets and editioned. Displayed are the final images. Three different colors were used to create a varied edition.